Lyle Mitchell Corbine Jr.’s pressure cooker of a movie flew slightly under the radar in this year’s U.S. Not just because the images, starting with that opening shot of something that immediately feels both beautiful and wrong, are breathtaking. Every product on this page was chosen by a Harper's BAZAAR editor. Courtesy Sundance Institute. Adapted from Nella Larsen’s 1929 novel by Hall with a knowing sense of melancholy and quiet psychological unease, Passing is among the most major films that came out of this year’s Sundance with its incisive lens focused on a gray area of racial identity rarely spelled out in contemporary cinema. From excursions into the history of war machines and the early history of cameras to a near-surrealistic tour of Axon International, the most prominent producer of police body cams in the country (how does he convince the company’s head to give him so much unmitigated access? A top-shelf addition to the Indigenous canon, Wild Indian pulsates with well-calibrated tension and a rare kind of vitality in its shrewd examination of today through the eyes of history. CODA will be released by Apple after a record-breaking $25 million deal. Sign up for our newsletter. Starring Daniel Kaluuya as the firebrand Black Panther leader Fred Hampton and LaKeith Stanfield as the petty criminal and FBI informant who led the bureau to 21-year-old Hampton’s brutal assassination, King’s historic picture opens a significant, shameful wound in American history and lets it bleed through Sean Bobbitt’s stylishly earthy cinematography. With queries about trauma, loyalty, and race on its mind, On the Count of Three achieves something near impossible in its conclusion, distilling its themes into something both heartbreaking and disarmingly hopeful. Summer of Soul will be released by Searchlight Pictures and Hulu. In his stunning directorial debut, the multi-hyphenate artist and living music legend Ahmir “Questlove” Thompson not only puts a year of seismic shifts and the summer of Woodstock in renewed historical perspective by shifting the focus to another comparatively underappreciated event, but also reclaims a forgotten piece of Black culture with aching timeliness. It was a given that this year’s all-virtual, all-living-room-screenings-all-the-time Sundance was going to seem a little strange. DF, The sense of raw potential in Lyle Mitchell Corbine, Jr.’s debut feature couldn’t be more stark. I guess I do have to count this as a 2021 movie but screw it this whole award season has fucked everything up. What she does with this highly conceptual premise, however, is truly moving and mindblowing, using her own son’s growing facility with (and reliance upon) on modern society’s metastasizing smart tech to comment on the damage done — to our planet, our species, our families, our cerebral core and connection with our fellow man. Celebs. The filmmaking duo follows three small-town Texan teenage girls through their sleepy hangouts and boozy parties to gradually honor the sensitive gradients of girlhood without the filtered sheen of social media. The Best New Movies To Stream On Netflix, Amazon, Hulu, HBO, Disney+ And Peacock This Weekend ... including Toronto and Sundance. If this is the future of romantic connection, the movie suggests, it’s a future with neither immediate promise nor an utter lack of possibility. Thompson’s film is a step towards righting that wrong. Cusp. the 12 best, most talked-about films from sundance 2021 1. A near-perfect barometer reading of life on Earth over the past 10 months — though Ms. Katz’s absurdist vision would hit home even without a worldwide catastrophe. Next: The best films from Sundance 2021: Part 2 . The British Film Academy honored the best movies of the year on Sunday night, with "Nomadland" dominating the evening. KAC, In This Article: We want to hear from you! Best Films of Sundance 2021. In a film about blind spots and what we’ve convinced ourselves can be gleaned from images — knowledge that can kill, knowledge that can criminalize — it’s refreshing that the director himself refuses to be one such blind spot. 12 Sundance Movies You Need to Look Out For. Date TBD. Sundance 2021: The best films from this year’s festival. The 2021 festival was like no other, but the films nonetheless delivered. Daniel Kaluuya, Documentary, Lakeith Stanfield, Questlove, Sundance Film Festival. God bless you, Neon and Participant, for picking this one up for co-distribution. One of the most awe-inspiring films at Sundance this year was Dash Shaw’s animated odyssey Cryptozoo. The days of major hand-drawn animated movies being a major force in film are long behind us, but it still exists at the margins, and Shaw’s sophomore feature is a shining example of how lovely and entrancing the medium can be. We may earn commission on some of the items you choose to buy. Celebs. Thankfully, Jerrod Carmichael’s explosive feature debut does more than right by this risky premise, becoming exactly the kind of chancy artistic gamble you attend Sundance for. Critics Survey: Sundance 2021’s Best Movies According to 376 Critics. Culturess 1 month Zawe Ashton lands villain role for Captain Marvel sequel. “This would have killed at the Eccles” was a phrase you saw on social media more than once. We’ll see you in Park City next year. #theLIST: The Must-See Movies At Sundance 2014, Sundance Standouts: The Best Looks at the Film Festival, Park Pretty: Lessons from Sundance Street Style, Park City Stars: The Best Looks from Sundance. Top 50 Best Films of 2021. And when the new festival director Tabitha Jackson presented her opening remarks about the importance of storytelling and giving neglected voices a platform, it felt very much like the Sundance’s kick-offs of yore, with the addition of the serious bookshelf envy you experienced after catching a glimpse of her cozy apartment. Wang is not shy about her fear and consternation — what emerges most clearly is a sense that the filmmaker is wrestling with the political power of images deployed by a propaganda machine. In short, this particular festival was one for the books in more ways than one, setting an example for how well-utilized technology can both uphold and augment long-standing moviegoing traditions held dear by film lovers. Courtesy Sundance Institute. Date TBD. Well, Sundance is over and we’re all breathing a collective sigh of exhausted relief. Passing will be released by Netflix. It feels like a cheat to include a major studio picture in a roundup of an independent film festival, but Shaka King’s scorching Judas and the Black Messiah—which will go down as one of best films of 2021—nonetheless left its mark on Sundance as the kind of studio filmmaking of yore that’s been dearly missed. The deserving winner of this year’s Grand Jury Prize in the U.S. Unfolding around a pair of strangers who find themselves stuck in an elongated lockdown when a deadly, cotton candy-colored puff appears in the sky, The Pink Cloud casts an oddly therapeutic spell through its ominous perceptiveness of coupledom, solitude, and isolation in the age of a worldwide health crisis, with thoughtful camerawork and surreal production design elements propelling its observations into spine-tingling familiarity. And if you think America is let off the hook, definitely think again. Next: A round-up of the best films from Sundance 2021: Part 1 . It’s central conceit is brilliant: He interviews array of New Yorkers ranging from straight to genderqueer, early 20s to mid-70s, single to polyamorous, “looking for love” to “looking for a good time.” But the conversations are predicated on their scrolls through Tinder, Grindr, Match.com, a site for older singles, and yet another for sugar babies and their daddies. Through the childhood and adulthood of an Anishinaabe boy with a murderous past (a terrifyingly vacant Michael Greyeyes as the latter) and his well-meaning former school friend, Corbine Jr. tells a searing, deeply American story of crime and remorse, rooted in the country’s generations-spanning past of unforgivable violence. Courtesy Sundance Institute. Just how intimately acquainted Hill and Bethencourt’s subjects already are with rape culture is both eye-opening and impossible to shake. You cheered the fact that Jackson & Co. were able to put together a festival at all. This is a movie that invents its own sense of time and narrative, moving with an unnerving clip between grounded reality and pained fantasy, past and present, the rotting natural world and the internal rot of the figure at its center. By Jordan Farley, Jane Crowther 04 February 2021. Taxi to the Dark Side (2007) This documentary shows the side of war you almost never get to hear about. The existential, claustrophobic, cozy, and horny quarantine movie you didn’t know you needed, Iuli Gerbase’s intimate chamber piece was amazingly conceived and filmed pre-COVID-19. Documentary Competition, this sizzling concert film is a resurrected piece of power-to-the-people art, featuring dizzyingly rich footage from 1969’s Harlem Cultural Festival that has been sitting in a basement for more than five decades. It’s a reclamation in more ways than one. And yet, seeing the familiar Sundance pre-film roll-call credits on your TV as your family or roommates or pets wandered by, the difference between then and now came clearly, painfully into focus. The film takes the great risk of exposing violence, specifically masculine violence, within a marginalized community — a tricky feat within a history of representation that so overwhelmingly casts indigenous people as violent, addicted, social outcasts. In the process, entire histories — ethnic, national, familial, political — get teased out with a subtlety and breadth that will take you aback. It features two astonishing performances from Michael Greyeyes (of 1996’s Crazy Horse and, more recently, Woman Walks Ahead) and Chaske Spencer (TV’s Banshee), is already rare for being a film about American indigenous people set in the present — which isn’t to say that it doesn’t have one foot set firmly in the past. A scan of the movies that are already buzzing ahead of the 2021 Sundance Film Festival. If the scaling down of the usual competition, premiere and sidebar-programming lineups meant that your chances of finding a movie that you were really passionate about were a little slimmer, however, it was still possible to see the kind of bold, audacious, and bleeding-edge work that’s kept people coming back to the fest over the years. Embrace of the Serpent (2016) 5. Fans of Kill List and A Field in England — the latter’s pagan-lysergic, Old Weird Britannia vibe is an especially big influence on this — will be please to see that Wheatley’s ability to infuse a genre with singularly unnerving, destabilizing touches has not dimmed. From a postapocalyptic genre flick to a handful of brilliant, offbeat docs about our current moment — these were the films at this year’s festival that moved and marked us, 'Wild Indian,' 'Summer of Soul' and 'The Dog Who Wouldn't Be Quiet' — Rolling Stone's picks for the best Sundance 2021 movies. If you were on the east coast, the massive snow-dump helped create a weird Park City facsimile outside your door. KAC, Borrowing pages — or more accurately, whole chapters — from Luis Buñuel’s playbook, Argentine filmmaker Ana Katz runs a hapless, sometimes hopeless young man named Sebastian (Daniel Katz, the director’s brother) through a series of oddball scenarios: Neighbors harangue him about his noisy dog (who we never hear bark). Exit Through the Gift Shop (2010) 4. ... Best 20 Movies of 2021 a list of … (Call it Kidyaanisqatsi.) Sly and the Family Stone at their peak, reminding you that funk is both a noun and a verb. … But watching it felt like discovering a significant new cinematic voice in the vein of Sean Durkin with an unassailable point of view. After his remote, swing-and-a-miss adaptation of Daphne du Maurier’s Rebecca, the British filmmaker returns to more familiar grounds, following a scientist (Joel Fry) and a park ranger (Ellora Torchia) as they try to find a remote forest outpost that may have found a cure for, yes, a deadly virus that’s ravaging the globe. Portraying the pathways and fractures of a live racetrack with a documentarian’s attention to detail, Bentley’s disciplined feature debut as a writer-director is bound to join the contemporary ranks of The Rider, The Mustang, and Lean on Pete as an evocative study of American life on the fringes that unfolds alongside the grand mysticism of stallions. A fly-on-the-wall account of their everyday realities coddled by warm temperatures, Cusp holds up a candid mirror to the grim shades of a slice of Americana with beguiling earnestness. We knew this. It deserves the widest audience possible. Here, Wang relies on her own bifurcated perspective to tell the story of the pandemic, collecting information posted on Chinese social networks and residents looking for medical care in the earlier-than-you’d-think days of the fast-spreading virus. Big victor of this year’s festival with four awards in the U.S. Two young boys of the Anishinaabe nation are thrown asunder by a crime, for which one of them pays the price of incarceration.
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